BIG MOVIES

After losing an audition for her dream job, an aspiring Los Angeles TV news anchor goes out for an uncharacteristic night of partying. She awakes in a stranger's bed to a phone message from her agent telling her the job is hers, if she can make it across town by 5 pm. Stranded in an unknown area without money, a phone, and a car, she embarks on a series of misadventures as she races to the most important job interview of her life

A reporter's dream of becoming a news anchor is compromised after a one-night stand leaves her stranded in downtown L.A. without a phone, car, ID or money - and only 8 hours to make it to the most important job interview of her life.

Walk of Shame is an upcoming American comedy film written and directed by Steven Brill. It is scheduled to be released in the United States on May 2, 2014 by Focus Features.[1] The film stars Elizabeth Banks, James Marsden, Gillian Jacobs, Sarah Wright, Ethan Suplee, Oliver Hudson and Willie Garson.

BelleBelle is inspired by the true story of Dido Elizabeth Belle (Gugu Mbatha-Raw), the illegitimate mixed race daughter of a Royal Navy Admiral. Raised by her aristocratic great-uncle Lord Mansfield (Tom Wilkinson) and his wife (Emily Watson), Belle’s lineage affords her certain privileges, yet the color of her skin prevents her from fully participating in the traditions of her social standing. Left to wonder if she will ever find love, Belle falls for an idealistic young vicar’s son bent on change who, with her help, shapes Lord Mansfield’s role as Lord Chief Justice to end slavery in England.

Belle is a 2013 British drama film directed by Amma Asante, written by Misan Sagay, and produced by Damian Jones.[2] It stars Gugu Mbatha-Raw, Tom Wilkinson, Miranda Richardson, Penelope Wilton, Matthew Goode, Emily Watson, Sam Reid, Sarah Gadon, Tom Felton, and James







The film is inspired by the 1779 painting of Dido Elizabeth Belle beside her cousin Lady Elizabeth Murray. Commissioned by William Murray, 1st Earl of Mansfield, then Lord Chief Justice of England and Wales, the portrait of his two nieces hung in England's Kenwood House, until 1922. Very little is known about Dido Belle's life in the Mansfield home. The film centers on Dido's relationship with an aspiring young lawyer and is set at a time of legal significance as the potential ramifications of the Zong massacre become apparent. Lord Mansfield's ruling on this infamous case, in England's Court of King's Bench, became an important step in bringing an end to slavery in England.

Peter Parker runs the gauntlet as the mysterious company Oscorp sends up a slew of supervillains against him, impacting on his life.

The last time Spider-Man swung into sight, it was to fight a lizard man in a lab coat and cozy up to a living doll. The lizard landed in the clink, but the doll, Gwen Stacy, is back for the good of Spider-Man (Andrew Garfield) and the franchise. As played by Emma Stone, who has the zing of a screwball heroine and the depthless eyes of an anime character, Gwen brightens “The Amazing Spider-Man 2,” a sequel that, until a late, lamentably foolish turn, balances blockbuster bombast with human-scale drama, child-friendly comedy and gushers of tears.

This may be the wettest superhero since Aquaman splashed through the HBO show “Entourage.” Then again, Spider-Man a.k.a. Peter Parker, created at Marvel by Stan Lee and Steve Ditko in 1962, has always been an emotional guy, having entered comic-book legend as a bespectacled high school bookworm who was orphaned, shunned and generally misunderstood: He wasn’t an extraterrestrial, just an above-average alienated adolescent. When, in an early issue, Peter tries to persuade some kids to visit a science exhibit with him (they laugh and leave), the text spells out his problem and his appeal: “for some, being a teenager has many heartbreaking moments!” And while a radioactive spider bite scrambled his genetic makeup, his juvenile sensitivities remained.